Florence Yuk-ki Lee, Where Sights Sinks into Starlit Eyes, 2025, Animation Film Still, 1920:1080px
李鈺淇，《把我的眼睛沉入你的眼睛》，2025年，動畫靜幀，1920：1080像素
HART HAUS is proud to present Double Blue: An Altered Fairy Tales from Hong Kong (I), Florence Yuk-ki Lee solo exhibition, curated by Danson Wong.
If Hong Kong truly had a fairytale of its own, what form would it take? In Double Blue, artist Florence Yuk-ki Lee transforms the city through animation and spatial installation into two flowing blue trajectories. The blue of the sea evokes schools of fish drifting through ever-changing waters in search of habitat, while the blue of the sky suggests clouds moving along uncertain routes of gathering and dispersal.
In Lee’s vision, Hong Kong’s story emerges at the intersection of tides and flight paths. The ocean inscribes the city’s historical time, while the sky gives voice to its emotional states. Layered together in the artist’s moving images, they form a narrative that oscillates between urban landscape and psychological space.
Continuing Lee’s long-term exploration of “sense of place,” the exhibition invites viewers to re-perceive Hong Kong as an unfolding fairytale, listening to the city as it slowly shifts and quietly speaks through layers of blue. A fairytale is never finalized, as it is a grammar constantly being rewritten. In moments when reality feels rigid, we need an “alternative fairytale” perspective to embrace a city perception reassembled from fragments of memory and fissures.
HART HAUS 榮幸呈獻由黃銘樂策展的李鈺淇個展「雙重藍：香港異童話篇章 （上）」。
如果香港真的有一則屬於自己的童話，它會呈現什麼樣貌？ 在「雙重藍」中，藝術家李鈺淇以動畫影像與空間裝置，將香港化為兩道流動的藍色軌跡：海的藍象徵魚群在不斷變動的水域中游移、尋找棲息地；天空的藍象徵雲朵在離離合合之間未定的航線。李鈺淇筆下的香港故事於潮水與航線的交會處浮現，海洋寫下城市的歷史時間，天空訴說著城市的情緒；而它們在李鈺淇的影像裡相互疊合，成為一種介於城市地景與心理之間的敘事方式。
延續李鈺淇長期關注「地方感」的創作脈絡，展覽邀請觀者重新感知香港的童話篇章，聆聽城市在藍色層次裡緩慢變形、悄然發聲的異樣。童話從未有過定稿，因為它是一則持續被改寫的語法；在現實顯得僵硬的時刻，我們更需要一種「異童話」的觀看方式，去擁抱由記憶碎片、裂縫而重組構成的城市感知。
General Visit 公眾參觀
Date 日期：14.3 - 7.4.2026 (Tue - Sun 二至日)
Time 時間：11:00 - 18:00
Venue 地點：HART Haus 3/F
Visit by appointment only 敬請預約
About the Artist 藝術家簡介
Florence Yuk-ki Lee is a Hong Kong-based artist and filmmaker working across experimental animation, video sculpture, drawing, and publishing. Her practice explores sense of place and topophilia, approaching place as an affective construct shaped by movement, memory, and perception. Her animations are composed of digitally hand-drawn frames that flow seamlessly in motion, unfold as micro-narratives attentive to emotional residue, transition, and states of suspension.
Lee holds a BA from Central Saint Martins and an MFA from City University of Hong Kong Her films Park Voyage (2022) and Elephant in Castle (2021) have received international recognition at major film festivals, including nominations at Annecy, Animafest Zagreb, and Fantoche, and screenings at festivals such as the Sydney Film Festival. Her work has been exhibited internationally at institutions including M+ Museum (Hong Kong), MoCA Taipei, Centre Pompidou (online), Museum of Contemporary Art Zagreb and MoNTUE (Taiwan), with recent solo exhibitions at MoCA Taipei (2025) and Artside Gallery, Seoul (2024). Her work is held in the permanent collection of M+ Museum.
李鈺淇，生於香港，是一位藝術家與實驗動畫導演。她的藝術實踐包括實驗動畫、動畫裝置、繪畫及藝術出版。 她的創作聚焦於對「地方感」的探索，關注地方如何在流動、記憶與感知之中形成其情感與敘事層次。李鈺淇透過動畫與裝置，組構日常生活經驗與城市感知的視覺片段，探討個體在城市空間中對自身、記憶與文化身份的感知方式。其動畫作品以數位手繪影格構成，影像在連續流動中展開，形成關於情感痕跡、過渡與懸置經驗的微觀敘事。
李鈺淇從英國倫敦藝術大學中央聖馬丁學院畢業，獲得平面傳播設計文學士，主修流動影像; 並於香港城市大學藝術碩士。 她憑M+委約動畫短片《遊、樂、園》及畢業作品《城堡裡的大象》在國際影展中獲得廣泛認可，獲法國安錫國際動畫影展提名，並入圍克羅埃西亞薩格勒布國際動畫影展、瑞士Fantoche國際動畫影展、臺灣關渡國際動畫節及澳洲雪梨影展等。 她的作品曾在多個國際藝術機構展出及放映，包括：香港M+博物館、台北當代藝術館、台灣北師美術館、法國龐畢度藝術中心線上影片系列、克羅埃西亞當代藝術博物館、首爾Artside Gallery、中國成都市美術館等。近期個展包括 「散落在異國海洋的星空」 (台北當代藝術館，2025) 及 「Let it sprout beneath my skin」 (首爾Artside Gallery，2024)。 其作品被M+博物館納入永久館藏。