Shadow puppetry has long evolved through travelling, across dynasties and centuries, regions and continents, masters and generations. Resonantly, artist Min-Jia carries and develops their practice along journeys, transiting from Berlin and Shaanxi to a recent residency in Hong Kong. Over a weekend in early September, their tool cabinet sprawled open upon a communal table, inviting a collective remaking of puppets from the classic Chinese folklore “Legend of the White Snake”. These two days of tangible learning went beyond an exercise of inheritance; it questioned how a rich cultural heritage could translate into radical artistic language, and reenchant the present alongside contingent forces of myth, monstrosity, and folkness.