HART
Curatorship Incubation Programme

Empowering art enthusiasts and emerging curators to deepen their understanding of contemporary curatorial practice.

One outstanding exhibition proposal from the Advanced Programme* will be selected for realisation at HART HAUS, supported by a HK$100,000 exhibition grant generously sponsored by the Octone Foundation.

*See details below.

First launched in 2021, the Curatorship Incubation Programme (CIP) is designed for art enthusiasts and aspiring curators seeking to deepen their understanding of contemporary curatorial practice.

This year's theme examines how the rapid, multifaceted evolution of technology reshapes not just the artwork itself, but the entire philosophy and infrastructure of exhibition-making. Technology is defined here in its broadest sense: from early electronic and interactive new media to autonomous software, algorithmic machine learning, and the material, environmental systems that sustain them.

As we enter a hybrid "non-human era," curatorial practice must account for a diverse network of actors, including data streams, environmental elements, automated algorithms, and physical space. The role of the curator fundamentally shifts from organising static objects to managing living ecosystems, programming complex interactions, and negotiating agency among human creators, non-human entities, and technology-driven audiences.

Curating in the Age of New Media, Post-Media, and Machine Intelligence

Dr Linda Chiu-han Lai's Lecture in 2025

Key Module 1:
Curation from the Human to the Non-Human Era

This module traces the historical and philosophical trajectory of curation as it adapts to technological shifts. We move beyond the traditional gallery space to explore what it means to curate when the "artist," the "medium," or the "environment" operates with autonomous agency. By looking at technology through both a material and systemic lens, ranging from early kinetic and ecological art to modern machine intelligence, students will confront the challenge of staging exhibitions where authorship is shared with non-human systems. We will debate how a curator maintains conceptual coherence when managing open-ended, evolving, or automated artistic environments.

This module unpacks the history of new media art: from its roots in video, electronics, and cybernetics, and maps its transition into our current post-media condition, where digital, physical, and ecological technologies are completely ubiquitous and entangled. Students will analyse the specific structural, architectural, and technical demands of exhibiting media art. We focus on how the curator acts as a translator: turning code, signals, environmental inputs, and physical hardware into a cohesive spatial narrative.

Key Module 2:
Materialising Technology

Key Module 3:
Interactivity

Technological and post-media art dismantles the passive "look but don't touch" model of exhibition-making, turning the viewer into an active node within a larger system. However, meaningful interactivity requires more than just a trigger and a response; it demands careful negotiation between human psychology, technical interfaces, and public space. This module bridges theory and practice, examining how curators program public engagement, handle audience expectations, and structure learning environments around complex, high-concept, or machine-driven artworks.

Programme Facilitators

Guest Speakers

Sponsor

This Programme is generously sponsored by Octone Foundation.

Artist Studios

HART HAUS offers emerging and established artists affordable studio space in the heart of Kennedy Town, helping artists, curators, and researchers deepen their practice.

Residencies

Residencies at HART HAUS offer unique opportunities for international artists to experience Hong Kong, open up dialogues, and engage in artistic exchange.