We are delighted to share that Bunny Cadag, the final artist presenting live work for the exhibition ‘The Embrace and the Passage’, is hosted by HART for an artist residency in collaboration with Para Site.

During her residency, Cadag will conduct field research, including community engagement and workshops, to enrich her practice in pre- and postcolonial gender plurality, singing rituals, and healing. Often participatory and community-based, her work amplifies marginalised voices while navigating forms and spaces with empathy and generosity.

Join us this February for a series of programmes leading up to the exhibition closing—stay tuned for details and registration! 

Para Site展覽「棲與渡」中最後一位呈現行為作品的藝術家 Bunny Cadag 將參與 HART 的合作駐留。

駐留期間，藝術家將進行田野考察，透過社區參與及工作坊，豐富其圍繞前與後殖民性別多元、歌唱與療癒儀式展開的藝術實踐。其創作常包涵社群參與，突顯邊緣群體的聲音，以同理心和慷慨遊刃於多樣的型態與空間。

我們將於二月份展覽謝幕前夕，舉辦一系列公眾活動。敬請留意活動及報名詳情。

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Fragments of Curiosities, on view from September 29 to November 2, 2024 at HART Haus 3/F, is a group exhibition featuring works by Louisze Chan Pui Sze, S. Yi Yao Chao + Koel Chu, Colbie Fung Ho Pui, Sharon Lee, Natasza Minasiewicz, and Daniel Stempfer, curated by Helena Halim. The exhibition explores how objects are vessels for our memories, a material vestige of our past. The artists in the exhibition draw upon the objects they collect and salvage, to examine how they speak to personal and collective stories, unveiling pieces of our shared experiences.

This event is a part of the final project presentation of Curatorship Incubation Programme organized by HART.

群展「碎片拾憶」將於 2024 年 9 月 29 日至 11 月 2 日在 HART Haus 三樓呈現，展出藝術家陳佩詩、周亦瑤+朱嘉喬、馮可貝、李卓媛、Natasza Minasiewicz 及 Daniel Stempfer 的作品，由林心儀策展。展覽探討物件如何成為滿載回憶的容器，又如何保存歷史的痕跡。六組參展藝術家透過他們收集和改造的物件，訴說物件背後的個體或集體故事，揭開我們共同經歷的過往。

這次活動為 HART 舉辦的「策展培育計劃」專題研習之一部分。

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Presented as part of the Henderson Arts @ Central programme, which runs through March 2024, the exhibition is supported by Women in Lighting and showcases a collective of eight multidisciplinary women artists from diverse cultures, who have each forged visionary paths in their use of light as an artistic medium. As a prelude to the highly anticipated opening of The Henderson building in Fall 2024 the exhibition embraces the explosive, interplay of fluid form and light characteristic of Zaha Hadid’s artwork and space design, and found at the heart of ZHA’s design for The Henderson. Featuring innovative visual art, sculptures, moving image works, and digital installations by internationally celebrated and emerging light artists, the exhibition takes as its starting point ZHA’s inspirational design for The Henderson and the legacy of Hadid’s visionary interdisciplinary practice, her challenge to conventional perceptions, and her multi-sensory exploration of light and spatial connectivity. Collectively the works inspire inclusion and push boundaries for women creatives across disciplines, transforming an empowering legacy into a vision for the future.

作為The Henderson Arts @ Central計劃的一部分，將持續展出至 2024 年 3 月。 展覽獲Women in Lighting鼎力支持，呈現了八位來自不同文化背景的跨學科女性藝術家的作品，她們在將光作為藝術媒介的過程中各自開闢了富有遠見的道路。萬眾期待的The Henderson將於2024 年秋季開幕，作為揭幕前奏，本展覽體現了哈迪德藝術作品和空間設計中，流體形態和光線特性之間激烈的相互作用，這亦是扎哈．哈迪德設計The Henderson的核心所在。展出一眾國際知名及新銳燈光藝術家的嶄新視覺藝術、雕塑、動態影像作品及數碼裝置，展覽始於哈迪德為The Henderson所作的啟發性設計，以及哈迪德富前瞻性的跨學科實踐、對傳統觀念的挑戰、對光線和空間連結性的多感官探索所留下的遺產。 這些作品激發了跨學科女性創作者的包容性，並推動了她們的創作，將充滿力量的遺產轉化為對未來的憧憬。

Curated by Angela Liu, “Welcome 😣 Take a Seat Wherever (cringevibing on a downward spiral)” explores the emotive language of Gen Z as well as implications of being terminally online in a confusing, almost pathologized, schizophrenic state. The exhibition brings together a selection of works from nine featured artists who draw inspiration from their mediated realities and make sense of their subjectivity through video, sculpture, painting, installation, exe file, and appropriated design image-objects.

This event is a part of the final project presentation of Curatorship Incubation Programme organized by HART.

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Opening Reception: 5 May 2023 (Fri), 6–8:30pm
Artist Talk and Guided Tour: 6 May 2023 (Sat), 2-3:30pm

During the celebration of French May Arts Fest 2023, curated by HART artist-in-residence Merryn Trevethan, “Luminaria” is Gisèle Tchitchiama’s exhibition that frames a quest for illumination through encounters with light, fragility and the ephemeral. For Gisèle, her multiple identities - French, African, woman, wife, mother, daughter - are woven into her interrogations. Presence and absence are at the heart of her ongoing artistic conversation which takes the audience on a journey into inner and outer landscapes.

The exhibition was inspired by the colour, poetry and delicacy of an unexpected moment on a journey from France to Dover, England last summer, Gisèle captured in a blurry landscape photo. This image became the starting point for an artistic journey that incorporates many creative and meaningful collaborations.

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Opening Reception 開幕酒會: 27.04.2023 (Thur 四), 18:00–20:00
Artist Talks 藝術家座談會: 07.05.2023, 13.05.2023

“Music for 9“ is part of the The Missing Link series. Curated by Multi-disciplinary Media Artist / HK Composer GayBird and Vanissa Law, The Missing Link consists of three Arts Tech exhibitions, an immersive performance, and a series of open lectures concerning the current issues in the use of technology in arts. By introducing two essential elements in music - timeliness and performative into art forms that have not yet existed, the two composers/curators wish to inspire new creations and to offer new dimensions to existing art forms. Through the creation of multimedia artworks, the artists would explore ways to deploy technology for the sake of storytelling.

《九重奏》展覽是由兩位跨媒體藝術家及作曲家梁基爵和羅穎綸策劃《連繫不明》展覽系列的延伸，靈感來自科技與音樂的應用，將「時間性」 (timeliness) 和「展演性」 (performative) 套用在不同媒體的藝術層面，輔以科技的運用，給予藝術形式一個新看法、新生命，從而啟發更多新的作品。《連繫不明》展覽系列計劃包括三個分別以聲音雕塑、動態裝置及虛擬現實裝置為題材的展覽，是一個時空扭曲的媒體演出以及六節免費的科技藝術公開課。他們都會從不同界別去透視時間性和展演性應用在其他藝術形式的可能性。

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With the recent rapid advancements of Artificial Intelligence (AI), we are led to imagine a near future through its domination. Commissioned by Videotage and supported by Hong Kong Arts Development Council, The Arcana Intelligent (2023) concludes a 6-month research by artist Liao Jiaming. It creates an experience of “divination”, combining elements of various religion, meditation, occultism, and ritual, that employs AI algorithms developed from different eras. It is an attempt to subvert current relationships between human users and computational algorithms in most AI applications. The art of divination may not simply be interpreted by the omniscient, it provides access to the inquirer’s subconscious. AI becomes a conjugate of scientific and spiritual medium, and therefore positioned beyond the divine and secular.

*The meaning of “Arcana” comes from the terms “major arcana” and “minor arcana” in tarot card reading. Arcana is the mystery sought by the alchemists of the Middle Ages, and the principle of the world.

From 11 to 29 April 2023, you will be able to experience this unique divination powered by AI at 9/F H Queen’s, alongside HART’s exhibition “Postmodern Tales”.

近期人工智能（Artificial Intelligence，AI）急速發展，引領我們持著AI主導來想像未來快將來到。由Videotage委託和香港藝術發展局資助，《萬試萬靈》（2023年）是藝術家廖家明六個月的研究成果。作品創造了一種集合宗教、冥想、神秘主義和儀式等元素的「占卜」體驗。該作品綜合採用不同時代開發的AI算法，試圖顛覆目前大多數AI應用中人類使用者和電腦算法之間的關係。占卜的魅力也許不是可以得到全知者的提點，而是得以通往問卜者自身的潛意識。AI在此成為科學和精神媒介的結合體，因而也被置於神性和世俗之外。

*英文作品標題之「arcana」來自塔羅牌占卜中的「大秘儀 major arcana」和「小秘儀 minor arcana」。Arcana為中古世紀煉金術師所追尋的奧秘，天地萬物運行的道理。

在2023年4月11至29日期間，你可在H Queen’s 九樓「後現代小傳」展覽中體驗AI占卜。

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Curated by Kelly Chan, EXERCISING FREEDOM brings together a selection of works from four featured female Hong Kong artists who have reimagined a spectrum of physical activities from Olympics sports to amateur workouts. The exhibited works challenge the scope of existing physical exercises and present alternative and absurd solutions in the lens of a fitness fanatic.

This event is a part of the final project presentation of Curatorship Incubation Programme organized by HART.

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(詳細介紹請參閱英文版本)

Join us for a mini showcase of imagery through the lens of JJM for a journey without prejudice, and allow our minds to wander and experience the works of a woman, who is passionate about how light, shadow and time work in relation to people, culture, architecture and nature. A connection is made between the artist and her camera, where she leaves behind her many identities and titles to submerge in photography that tells stories. A plain and simple objective that brings perfect coincidences to her lens words cannot express.

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Touching, Splitting, Forming;
Whispering, Lingering, Transforming.

In this experimental showcase, artists use bodies as canvas, walk through the feelings of anxiety as well as powerlessness, to express their feelings about different senses of the body. Perhaps some body parts may heal during the journey, while some remain lingering with us throughout the transformation.

Curated by Christy Hui, the key visual is an extension of her photography work from Body Canvas 1.0 series. This exhibition collaborates with six artists from various disciplines, representing their ideas on “body” in visual, acoustic and tactile experiences, creating a multi-sensory experience, which may reconstruct your recognition of “body”.

觸碰、割裂、形成；
呢喃、徘徊、轉化。

藝術家以身體為畫布，在這個實驗空間創作，經過焦慮、無力，表達各自對感官的看法。或許有些部分會被治癒，邀請你一同經歷作品轉化，留下來的部分 。

由許穎雯策劃，主視覺延伸自她在「身體畫布1.0 - 影上身」系列的攝影作品。是次展覽與六個不同媒介的藝術家合作，分別以視覺、聽覺和觸覺出發，混合各種感官體驗，重構你們對「身體」的認知。

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We all have and only have one body of flesh, powerful yet fragile. Incidents left us with wounds, stagnated and frozen in time; words are rendered invalid and lost. How shall we embrace our shattered pieces, continue to breathe, and live in this world?

Curated by Gigi Tang, “Breathing Flesh” has invited three emerging artists, together with the curator, to share their response to the seemingly unavoidable pain of life through different artistic mediums including ceramics, lacquer painting and performance art.

Returning to the roots of life, may we all someday arrive at a place of peace, where the light gets in.

我們都擁有且僅擁有一副肉身，強大又脆弱。事件在我們裏面留下大小不一的傷口，凝結在時光之中；身體一度失重，話語失效，或散落一地。如何擁抱殘缺，繼續呼吸，在這世界裏活下去？

由鄧捷策劃的本次展覽《肉身呼吸》邀來三位以陶藝、漆畫、表演藝術等不同媒介創作的年輕藝術家，連同策展人一起，各自以他們的方式，透過創作，面對和回應生命中似乎難以避免的傷痛。

回歸生命根基，願我們終能到達一個平安的地方，那裏是光之所在。

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We all have our own ways of recording an instant - through writing or illustration, snapping or filming. Each instant becomes unique moments due to its geographical settings, structural characteristics, interrelationship with the surroundings, as well as one‘s perception. The captured moments linger in our minds, along with the memories they resemble. We relive the moments as we go through the records in different media, yet our impressions evolve with the passage of time or the change in context.

The showcase features the works of Anthony Lee, with a series of his memory fragments. The collection of mix-media pieces invites visitors to experience his stories through visual, acoustic and tactile sensations.

我們總有屬於自己的方式，或書寫繪畫、或拍攝錄影，記錄著某人感受、某刻瞬間、某地氛圍。而被記錄的事物，因其獨特的地緣特質、自身結構、乃至與周遭物件環境的相互關係，在我們不同的身心狀態下牽引著，留下或深或淺的回憶。當我們在不同媒介翻開每個記下來的事物，就會有重而新的體驗，宛然亦不然。他們的特性，或許因爲時空的距離，我們記憶中的質感也產生了變化。而一系列富質感的收集輯錄，讓我們在不同的物件當中能找到某些共性，促使著記憶和質感的豐富與昇華。

是次展覽以李珈的混媒體作品，抽取了他的一系列記憶切片。從視、聽、觸，三覺，重塑他對特定事物的感知體驗，訴説屬於他與它們的故事，同時藉此為觀衆締造一個難忘的多感官藝術體驗。

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Curated by Lesley Cheung, Rituals of Passage - A Graduation Show of the Plague Year is a mise-en-scène of resilient living. Contemplating on disruption and discomfort during the plague years of 2019-2021 in Hong Kong, 6 artists stage their perspectives on self-discovery, coping strategies and meaning making.

由 Lesley Cheung 策畫，「Rituals of Passage - A Graduation Show of the Plague Year」呈現具韌力的生活場景。反思 2019-2021 年香港疫情期間的混亂和不適，六位藝術家展示了他們對自我發現、應對策略和意義創造的看法。

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Are you ready for more shows to come in 2022? Come visit our Final Project #2 - 𝙉𝙤𝙩𝙝𝙞𝙣𝙜 𝙃𝙖𝙨 𝙃𝙖𝙥𝙥𝙚𝙣𝙚𝙙 presented by CIP graduate Emilie Choi Sin Yi. Opening on Jan 5th at 7pm at HART Haus.⁣⁣

𝘕𝘰𝘵𝘩𝘪𝘯𝘨 𝘏𝘢𝘴 𝘏𝘢𝘱𝘱𝘦𝘯𝘦𝘥 is a novel written by Hong Kong writer Chan Koon-chung, depicting a dying man who has recalled the social turbulence of Hong Kong from 1984 to 1998, and interweaving the historical events with personal memory. Beyond the grand narrative, how can we perceive the complex historical trajectory through an individual? This exhibition unfolds with moving image works by Chan Tze-woon and performance art by Florence Lam, connecting as a maze of memory. It examines the unspoken present social discourse in the lens of two different mediums — moving image and body. Between the visible and the disgusted, history is like "nothing has happened". ⁣⁣

準備好迎接2022年一系列新展覽了嗎？歡迎𦲷臨參觀由學員蔡倩怡策畫的「什麼都沒有發生」。此展覽是「策展培育計劃」系列的第二個成果展，將於1月5日下午7時在HART Haus開幕。⁣⁣

《什麼都沒有發生》是陳冠中的同名小說，以一位瀕死的人物回首 1984 年至 1998 年的香港，社會變化跌宕與個人的記憶交織糾纏。在宏大的論述以外，我們能如何言說歷史脈絡於個體身上所刻劃的痕跡？這次展覽以陳梓桓的影像作品與 Florence Lam 的行為藝術展演作連結，呈現一座記憶的迷宮，以影像與身體兩種不同的媒介回應無法言說的社會情狀，在顯影與隱藏之間，歷史如同「什麼都沒有發生」。

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“The Struggle toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy.” - Albert Camus, The Myth of Sisyphus.

The global pandemic reshuffled our daily physical lives which led to a whole new inward discovery of the most fundamental self in the digital age. By demonstrating the omnipresent lingering of a "corporate world", the show wants to amplify the astonishment of the spectator by creating the compositions. The constant disagreement between our conscious and subconscious mind comes into dialogue in art creation, and in the process, a conflict resolved in composition. Public-___ (ex. housing, good, discourse, etc.). What does it mean for something to be public in Hong Kong? There are a lot of memories that do not exist and even the actual realised memory could be not real or just the edit someone chooses to believe. Modern art is getting ridiculous. “Really, my painting feels like an explosion of my hidden fear, including anger and lust these days.” She crossed her heart and rolled the dice. Can you come out on top on a hand dealt by Destiny?

「向高處奮鬥，足以填滿一個人的心。人們必須想像西西弗斯是快樂的。」–阿爾伯特·加繆《西西弗斯的神話》

全球大流行改變了我們的日常生活，導致了對數字時代最基本的自我的全新內在發現。通過展示無處不在的「企業世界」，該展覽希望通過創作作品來放大觀眾的驚訝。我們的意識和潛意識之間不斷的分歧在藝術創作中進入對話，在這個過程中，衝突在構圖上得到解決。公共–＿（例如住房、商品、話語等）。公共在香港意味著什麼？有很多記憶並不存在，甚至真實的記憶也可能不是真實的，或只是某人選擇相信的蒙太奇。現代藝術越來越荒謬了。「真的，我的畫感覺就像是我隱藏恐懼的爆發，包括近期的憤怒和慾望。」她越過心扉擲出骰子。你能在命運的牌上脫穎而出嗎？

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Join us for Casualty of Loss - Final Project for HART Curatorship Incubation Programme in a showcase format presented by Olivia Lo and Ida Mak. Opening on Nov 2 at 5pm at HART Haus.

From “casual” to “a chance event” to “an unfortunate event”. How did the word ‘casualty’ derive from a light tone to such a negative connotation? Countless uncertainties have been raised during this difficult time around the world. We have experienced loss of many kinds: loss of loved ones, loss of identity, loss of relationship, loss of feelings, loss of direction... We are all casualties of loss. But can we possibly turn this idea around? Casualty of Loss is an exploratory experience that questions and challenges the potential spectrum of “Loss”. Can we turn away the pessimistic association from “casualty” and “loss”, and add an uplifting spirit to these two words?

歡迎𦲷臨參觀由羅海晴和麥詠瑩共同策展的展覽「失衡」。展覽將於11月2日下午5時在HART Haus開幕。

失衡是令人難以適應的事。我們在日常生活中一直隱隱約約作出各種選擇，以平衡至我們覺得舒適的生活步調。但當事情不再是自己所能控制，或許是留不住身邊人，或許是對自己的前路自覺茫茫、失去方向，或許是控制不了自己的感覺、情緒，便失去了面對生活的自信，墮入失衡的狀態。但迷失於自身的失衡感以外，從不同角度看待失衡會否幫助我們擺脫這個狀態？「失衡」是一個探索性的體驗，旨在為失衡的狀態帶來改變，讓觀眾進入各種失衡下的思想空間。

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HART is pleased to announce our participation in Peer to Peer: UK/HK - an inspiring arts exchange initiative between UK and Hong Kong.⁣

Peer to Peer: UK/HK is a programme designed to encourage meaningful cultural exchange and to forge enduring partnerships between the UK and Hong Kong's visual arts sectors.⁣ The programme launches publicly with an online festival of international exchange and collaboration on the 11-14 November, curated by independent curator Ying Kwok.

The Festival will include an online exhibition of digital artworks from UK and Hong Kong based artists, including 5 new commissions by artists nominated by UK and Hong Kong based partners. There will also be a series of digital residencies taking place across partner organisation's social media channels as well as a set of curated panel discussions.⁣

Hausian Wu Jiaru is starting her digital residency with Furtherfield (UK) from today till October 29. Stay tuned to the social media platforms of Furtherfield (Instagram) to see what Jiaru will share with worldwide audience in this program!

For more information of Peer to Peer: UK/HK, please check out their website.

HART 很高興能參予 Peer to Peer: UK/ HK —— 英國與香港之間的啟發性藝術交流計劃。⁣

Peer to Peer: UK/ HK​旨在鼓勵英國和香港視覺藝術領域之間有意義的文化交流，並建立持久的伙伴關係。⁣一系列活動將於11月11日至14日期間，隨獨立策展人郭瑛策劃的國際交流與合作的網上藝術節正式啟動。⁣

藝術節將舉行網上展覽，展出駐英國及香港藝術家的數碼藝術，當中包括由兩地合作伙伴提名的藝術家，所創作的五件新委託作品。此外，合作伙伴將於社交媒體舉行一系列網上藝術家駐場活動，以及精心策劃的小組討論系列。⁣

HART藝術家 (Hausian) 吳佳儒於今天起至十月二十九日將展開於Furtherfield (UK)之網上藝術家駐場活動。⁣歡迎密切留意Furtherfield的社交平台(Instagram)，了解佳儒將為世界各地的藝術愛好者帶來的精彩分享。

請密切留意我們發佈的更新，或登錄Peer to Peer: UK/HK網站了解更多資訊。⁣

Known by mainstream audiences worldwide for her colourful artworks and global brand collaborations including – NIKE and Victoria’s Secret, mixed-media artist Natalie Wong presented her first large-scale installation work - “PLAYLOOP”. Wong’s latest work was an interactive sound and light installation created using over one thousand light-emitting diodes and motion-activated sensors. “PLAYLOOP” allowed participants to physically create distinct sounds using multiple audio loops in an interactive soundscape.

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HART team and Hausians (HART Haus artists) invite you to join our June/July showcase at HART Haus.

During the showcase, recent work in progress by our artists will be shared. We welcome all of you to come and join this meaningful discussion of every kind of idea, innovation and inspiration.

Social Studio artists as follows (alphabetised by last name):
Hugo Belloy/Raphaële de Broissia/Clement Chan/Geoff Chan/Max Cheng/Un Cheng/Joyce Chiang/Bouie Choi/Jaime Chong/Pui Chee Chui/Espen Cook/Daniel Kamp/Natalie Wong/
Jiaru Wu/Angela Yuen

Date: 24 June to 12 July, 2019
Time: 10am - 7pm (Mon - Fri, RSVP only on Sat, Sun & Public Holidays)
Location: HART Haus
Address: 3/F, Cheung Hing Industrial Building, 12P Smithfield Road,
Kennedy Town, Hong Kong

RSVP at atelier@thehart.com.hk

From the coming Friday to next Monday, H Queen’s and HART delightfully partners with New Asia College of The Chinese University of Hong Kong to celebrate their 70th Anniversary! More than seven decades of nurturing artists in Hong Kong, ‘Together We March Forward: New Asia 70th Anniversary Art Exhibition’ will be held at HART Hall to display artworks by over 30 alumni artists. Art enthusiast and public are strongly encouraged to join the event, as a series of talks,workshops and guided tours will also be held to echo with New Asia College’s tradition to pass on the culture to the next generation.

Date： 14 - 17 June 2019 (Fri to Mon)

Free admission

Location: HART Hall, G/F, H Queen’s, 80 Queen’s Road Central, Hong Kong

十年樹木，百年樹人，中文大學新亞書院作育英才已七十載。新亞書院校友會主辦的「結隊向前行：新亞七十藝術展」將由今個週五開始，一連四日在場地夥伴 H Queen’s - HART Hall 舉行，與外界一同慶祝新亞為香港藝術界作育英才的豐碩成果。是次藝術展將展出逾30位新亞書院老師及畢業校友之作品，當中包括多位書法水墨名家及本地著名當代藝術家。展覽期間會舉辦專題講座：《香港當代藝術的收藏與欣賞》，帶大家深入淺出認識香港當代藝術。除此之外，一連串的《小小藝術家工作坊》、《藝術家工作室體驗》及《導賞團及「走進藝術家世界」分享會》更是大小朋友一同走進藝術世界的好機會，由一眾新亞校友、著名當代藝術家均即席示範及親授繪畫技巧，並參觀藝術家工作室，一睹藝術家的創作空間。

展覽日期：6月14至17日

免費參加

地點：香港中環皇后大道中 80 號 H Queen’s 地面 HART Hall

Organised by Hong Kong Open Printshop (HKOP), the inaugural “Hong Kong Fine Print” print fair and exhibition will take place from 17 to 19 May at HART Hall in H Queen’s, showcasing exceptional graphic artworks featuring 30 artists and original prints. Visitors can attend an array of themed talks and demonstrations; art consultant and conversator will share the value of collecting prints and methods of preserving works of art on paper.

Free admission

Location: HART Hall, G/F, H Queen’s, 80 Queen’s Road Central,

《Hong Kong Fine Print》由香港版畫工作室策劃，是首個致力推廣版畫圖像藝術的博覽展，展覽將在 2019 年 5 月 17 至 19 日於場地夥伴 H Queen’s - HART Hall 舉行，展出三十位藝術家，共六十件版畫圖像藝術作品。展覽期間亦舉辦專題講座及示範，與觀眾、收藏家分享版畫圖像藝術種類、其收藏價值及紙本藝術的保存方法等。

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地點：香港中環皇后大道中 80 號 H Queen’s 地面 HART Hall

For his 25th exhibition: “LIFE IS A JOURNEY”, Antoine Rameau, a French artist calling Hong Kong his home for 8 years, has created a black ink painted collages series, that must be seen as a mural fresco.

Those 10 puzzle-pieces integrate strong Asian art influences: black Chinese ink painting, Japanese woodblock printing on paper (ukiyo-e) and the repeated circle shape, symbol of perfection (associated to the Moon or the Sun, the Ying and Yang…).

The cave-like stalagtites and stalagmites also refer to traditionally painted Chinese Yellow Mountains in Anhui province, that he loves.

Rameau sees today’s life as an epic underwater cave diving journey! From the day we are born to the last one, we all navigate in a long cavern-shaped tunnel and must avoid daily obstacles, up and down. Sometimes the path is broad and easy (happiness, joy, mindfulness…), sometimes it is very narrow and difficult (fear, sadness, phobia…). The key to a safe life journey is our own ability to be a careful and attentive pilot between those two extremes, highlighted by black and white colors and opposite papers textures, of the genuine, damaged and ripped 1930’s French “L’Illustration” magazines he used.

*This exhibition is a part of Le French May programme. For more details, please see Le French May website.

Free admission | By registration only
Please RSVP at anrameau@gmail.com

Location: HART Haus, 3/F, Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town, Hong Kong

《生命是一趟旅程》是居港 8年的法藉藝術家 Antoine Rameau 的第二十五個展覽，為一連十幅包涵烏墨繪製的拼貼，必須要以看壁畫的角度觀賞。

十幅拼圖大小的作品綜合了很強的亞洲美學原素，可見其對世代藝術創作影響之深：中國水墨、日本木刻紙上印刷，以及重複運用的圓——謂之象徵日月陰陽的滿。

鐘乳石與石筍是傳統繪畫中國安徽黃山的象徵，表達了藝術家對此地之熱愛。

Rameau 看待當今生活如走進無盡深淵洞穴的旅途。世世代代注定邁進漫長嚴峻的險途、人生高低處境。時有路寬開闊心廣，固有難過狹隘驚惶。要萬無一失，繫於我們以進可攻、退可守的能耐，小心翼翼專注啟航的面對極端境況：有如其作品黑白的對立與不同紙質的運用所示，其中更有藝術家撕下1930年代法國經典雜誌 L’Illustration 的碎屑。

*是次展覽為法國五月節目之一。瀏覽法國五月網站以參閱更多資訊。

免費參觀｜敬請預約
(預約請電郵：anrameau@gmail.com)

地點: 堅尼地城士美菲路 12P 號祥興工業大廈 3 樓 HART Haus

HART Team invites you to join our guided tour for H Queen's latest public art project - Exit Strategies. It is not only a journey happening at a common public space - the staircase, but also an one-of-a-kind experience on the notions of psychological escapism experienced in response to the hustle and bustle of
Hong Kong.

Free admission | Duration: Approximately 30 mins

Location: H Queen’s, 80 Queen’s Road Central, Central, Hong Kong

HART團隊誠邀你參加我們為H Queen's最新公共藝術計劃《出。略》而設的導賞團。這趟於公共空間產生的旅程，將探索發掘因應香港喧囂與忙碌而衍生的避靜空間，會是一次獨一無二的體驗。

免費參加｜時間：約30分鐘｜

地點: 香港中環皇后大道中80號 H Queen’s

HART Haus is pleased to present ""Project Social Studio: a group show” of artworks and in-studio art practices of Raphaële de BROISSIA, Joyce CHIANG, Pui Chee CHUI, Espen COOK, mariana HAHN, Angela HUANG, Daniel KAMP, Kalina KING, Vickie LI, Valentina LOFFREDO, Charlotte MöRLING, Antoine RAMEAU, Shinichi TASHIRO, Jiaru WU, Eric YUEN. Curated by Kalina King, Project Social Studio: a group show will open on 12 December 2018 and the studio exhibition runs through 18 December 2018 at HART Haus in Kennedy Town.

Opening Reception 6pm - 9pm, Wednesday 12 December 2018

Closing Party 7pm - 12am, Tuesday 18 December 2018 (featuring Casa Belloy on the decks)

Exhibition Tuesday 12 December 2018 - Tuesday 18 December 2018

As HART Haus is a working art studio space, kindly make an appointment to visit the show and tour the artist ateliers.

Sovereign Art Foundation presented the Finalists Exhibitions for the 2018 Asian Art Prize at HART Hall from 26 April - 5 May 2018.